project archive > After Chambi
After Chambi
![Wedding of Don Julio Gadea, Cuzco, 1930 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/378.jpg?0)
![Wedding of Don Julio Gadea, Cuzco, 1930](https://tarrahkrajnak.com/spacer.gif)
Wedding of Don Julio Gadea, Cuzco, 1930
2010
Pigment Print
40x50
2010
Pigment Print
40x50
![Senoritas at a Social Gathering in Cuzco, 1927 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/375.jpg?0)
![Senoritas at a Social Gathering in Cuzco, 1927](https://tarrahkrajnak.com/spacer.gif)
Senoritas at a Social Gathering in Cuzco, 1927
2010
Pigment Print
40x50
2010
Pigment Print
40x50
![Carnival, Cuzco, 1926 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/379.jpg?0)
![Carnival, Cuzco, 1926](https://tarrahkrajnak.com/spacer.gif)
Carnival, Cuzco, 1926
2010
Pigment Print
40x50
2010
Pigment Print
40x50
![Giant of Paruro, Cuzco, 1929 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/377.jpg?0)
![Giant of Paruro, Cuzco, 1929](https://tarrahkrajnak.com/spacer.gif)
Giant of Paruro, Cuzco, 1929
2010
Pigment Print
40x50
2010
Pigment Print
40x50
![Urubamba River, Macchu-Picchu, 1930 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/376.jpg?0)
![Urubamba River, Macchu-Picchu, 1930](https://tarrahkrajnak.com/spacer.gif)
Urubamba River, Macchu-Picchu, 1930
2010
Pigment Print
40x50
2010
Pigment Print
40x50
![Ball in Honor of Alejandro Velasco Astete, 1925 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/369.jpg?0)
![Ball in Honor of Alejandro Velasco Astete, 1925](https://tarrahkrajnak.com/spacer.gif)
Ball in Honor of Alejandro Velasco Astete, 1925
2011
Pigment Print
20x30
2011
Pigment Print
20x30
![Portrait of the Jara Vidalon Family, Cuzco, 1923 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/374.jpg?0)
![Portrait of the Jara Vidalon Family, Cuzco, 1923](https://tarrahkrajnak.com/spacer.gif)
Portrait of the Jara Vidalon Family, Cuzco, 1923
2012
Pigment Print
20x30
2012
Pigment Print
20x30
![Marriage of Convenience, 1926 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/373.jpg?0)
![Marriage of Convenience, 1926](https://tarrahkrajnak.com/spacer.gif)
Marriage of Convenience, 1926
2012
Pigment Print
20x30
2012
Pigment Print
20x30
![Calle Malambo, Cuzco, 1923 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/371.jpg?0)
![Calle Malambo, Cuzco, 1923](https://tarrahkrajnak.com/spacer.gif)
Calle Malambo, Cuzco, 1923
2011
Pigment Print
20x30
2011
Pigment Print
20x30
![Cuzco Family, 1923 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/372.jpg?0)
![Cuzco Family, 1923](https://tarrahkrajnak.com/spacer.gif)
Cuzco Family, 1923
2012
Pigment Print
20x30
2012
Pigment Print
20x30
![Portrait of the Family of Angel Vargas, 1926 TARRAH KRAJNAK After Chambi Pigment Print](http://d3zr9vspdnjxi.cloudfront.net/artistInfo/tarrahkr/big/370.jpg?0)
![Portrait of the Family of Angel Vargas, 1926](https://tarrahkrajnak.com/spacer.gif)
Portrait of the Family of Angel Vargas, 1926
2012
Pigment Print
20x30
2012
Pigment Print
20x30
AFTER CHAMBI (2010-2012)
In this series I re-photograph Martin Chambi's original images using projection, long exposures, sculptural interventions, and a view camera. I'm interested in the complexities of Martin Chambi's work as a counter-ethnographic study of Peru's indigenous peoples and the failure of the photograph as impartial witness.
In this series I re-photograph Martin Chambi's original images using projection, long exposures, sculptural interventions, and a view camera. I'm interested in the complexities of Martin Chambi's work as a counter-ethnographic study of Peru's indigenous peoples and the failure of the photograph as impartial witness.