In 1979: Contact Negatives I produced 18 large-format photographs in a performance at as-is gallery in Los Angeles. Using a temporary darkroom, multiple projections, large format cameras, and re-photography I imaginatively “return” my body to Lima, Peru in 1979, the year I was adopted from an orphanage there. The resulting series of self-portraits emerge from intersections between the city’s fraught history and my own, making visible the ways that violent or traumatic histories can be held in bodies and excluded from archives. I am interested in the multi-temporality of the photographic medium, and the potential of the darkroom itself as a site of performance or spectro-poetics– a way of conjuring the ghosts that haunt a life.