TARRAH KRAJNAK

After Chambi
TARRAH KRAJNAK After Chambi Pigment Print
Wedding of Don Julio Gadea, Cuzco, 1930
2010
Pigment Print
40x50
TARRAH KRAJNAK After Chambi Pigment Print
Senoritas at a Social Gathering in Cuzco, 1927
2010
Pigment Print
40x50
TARRAH KRAJNAK After Chambi Pigment Print
Carnival, Cuzco, 1926
2010
Pigment Print
40x50
TARRAH KRAJNAK After Chambi Pigment Print
Giant of Paruro, Cuzco, 1929
2010
Pigment Print
40x50
TARRAH KRAJNAK After Chambi Pigment Print
Urubamba River, Macchu-Picchu, 1930
2010
Pigment Print
40x50
TARRAH KRAJNAK After Chambi Pigment Print
Ball in Honor of Alejandro Velasco Astete, 1925
2011
Pigment Print
20x30
TARRAH KRAJNAK After Chambi Pigment Print
Portrait of the Jara Vidalon Family, Cuzco, 1923
2012
Pigment Print
20x30
TARRAH KRAJNAK After Chambi Pigment Print
Marriage of Convenience, 1926
2012
Pigment Print
20x30
TARRAH KRAJNAK After Chambi Pigment Print
Calle Malambo, Cuzco, 1923
2011
Pigment Print
20x30
TARRAH KRAJNAK After Chambi Pigment Print
Cuzco Family, 1923
2012
Pigment Print
20x30
TARRAH KRAJNAK After Chambi Pigment Print
Portrait of the Family of Angel Vargas, 1926
2012
Pigment Print
20x30

AFTER CHAMBI (2010-2012)
In this series I re-photograph Martin Chambi's original images using projection, long exposures, sculptural interventions, and a view camera. I'm interested in the complexities of Martin Chambi's work as a counter-ethnographic study of Peru's indigenous peoples and the failure of the photograph as impartial witness.